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  • Documentary Theatre and Performance
    Documentary Theatre and Performance

    What distinguishes documentary theatre from other forms of drama?How has it integrated different media across the years, and to what effect?What is its relationship to truth and reality, and defining moments of civic unrest and political change? In this short, authoritative book, Andy Lavender surveys a century of documentary theatre and performance and analyses key productions.Arranged in 3 sections that take a broadly chronological approach, the volume considers the nature of documenting, forms of intervention through theatre, the presentation of lived experience, and issues of truth, reality and representation. The book includes a variety of case studies, beginning with Piscator’s In Spite of Everything! (1925) and tracing the work that followed in Europe and America, including the tribunal and testimony plays of the 1990s and 2000s.It examines the relationship of 3 key productions to moments of civic and political crisis: Fires in the Mirror: Crown Heights Brooklyn and Other Identities (1992), Twilight: Los Angeles, 1992 (1993) and The Colour of Justice: The Stephen Lawrence Enquiry (1999).Finally, it looks at the impact of digital technologies, social media and hybrid artforms in the 21st century, to explore the engagement of documentary performance with mediations and experiences of cultural change and shifting identities across a range of case studies.

    Price: 16.99 £ | Shipping*: 3.99 £
  • Thinking Through Theatre and Performance
    Thinking Through Theatre and Performance

    Thinking Through Theatre and Performance presents a bold and innovative approach to the study of theatre and performance.Instead of topics, genres, histories or theories, the book starts with the questions that theatre and performance are uniquely capable of asking: How does theatre function as a place for seeing and hearing?How do not only bodies and voices but also objects and media perform?How do memories, emotions and ideas continue to do their work when the performance is over? And how can theatre and performance intervene in social, political and environmental structures and frameworks?Written by leading international scholars, each chapter of this volume is built around a key performance example, and detailed discussions introduce the methodologies and theories that help us understand how these performances are practices of enquiry into the world.Thinking through Theatre and Performance is essential for those involved in making, enjoying, critiquing and studying theatre, and will appeal to anyone who is interested in the questions that theatre and performance ask of themselves and of us.

    Price: 28.99 £ | Shipping*: 0.00 £
  • Devising Theatre and Performance : Curious Methods
    Devising Theatre and Performance : Curious Methods

    Devising Theatre and Performance is a hands-on guide for artists, students and teachers of performance at any stage of their practice.It offers a wide range of creative prompts and pathways enriched with critical thinking tools and questions, a hybrid approach Hill and Paris call ‘Curious Methods’. This is a welcome addition to the field, created and curated by two experienced artists who have operated at the international interface of academia and professional practice for over three decades. The collection is packed with fun, creative, thoughtful exercises distilled from over twenty years of running interdisciplinary artist workshops and teaching both devising and performance making.As well providing numerous exercises and suggestions for devising, composing and editing original works, this book offers tools for giving and receiving feedback, critical reflection and framing artistic work within academic research contexts. Readers can choose to dip in and out, to follow the book as a course or to work section by section, focusing on organizing principles such as working from the body, working with site, working with objects or performance activism.The book includes a detailed production workbook and a practice-based research workbook you can tailor to your own projects.The 'Curious Methods' approach encourages users to take the time and space their practice deserves while offering tools, nourishment and encouragement and inviting them to take risks beyond their comfort zones.The exercises are carefully described so that they can easily be tested out by readers, and are well contextualized in relation to vivid examples from contemporary performance practice and relevant political contexts.This compelling approach goes beyond many other books on theatre devising, which merely provide performance recipes; they do so by repeatedly highlighting the vital cultural relevance and potential personal impact of the experiments that they invite us to undertake. The primary audience for this important new book will be academics, instructors and students in courses on devised theatre, improvisation, performance art, experimental performance and practice-based research.It will be essential for classroom use, for students of theatre and performance and live art – undergraduate, postgraduate and Ph.D., teachers and all those needing strategies for getting started. It will also appeal to readers from the broader arts, humanities and social sciences who are seeking resources for integrating creative methods into their research.

    Price: 25.00 £ | Shipping*: 3.99 £
  • Research Methods in Theatre and Performance
    Research Methods in Theatre and Performance

    How have theatre and performance research methods and methodologies engaged the expanding diversity of performing arts practices?How can students best combine performance/theatre research approaches in their projects?This book's 29 contributors provide hands-on answers to such questions.Challenging and debating received research wisdom and exploring innovative procedures for rigorous enquiry via archives, technology, practice-as-research, scenography, performer training, applied theatre/performance, body in performance and more, they create a focussed compendium of future research options.Key Features * Created in association with TaPRA, the leading UK Theatre and Performance Research organisation, with chapters produced by specialist groupings. * Provides many detailed project case studies and examples - including successful practice-based PhDs - plus analysis of dynamic couplings between methods, methodologies and skill-sets. * Introduction interrogates crucial qualities of performing arts research that constitute theatre and performance as, variously, single-, multi-, inter-, and trans-disciplinary. * Contributors include: Maggie B. Gale (Chair of Drama, University of Manchester); Steve Dixon (Professor of Digital Performance, Brunel University); Joanne 'Bob' Whalley and Lee Miller (University Lecturers and founders Fictional Dogshelf Theatre Company); Simon Ellis and Rosemary Lee (independent performance/dance makers); Roberta Mock (Professor of Performance, University of Plymouth).

    Price: 29.99 £ | Shipping*: 0.00 £
  • What is the Lee Strasberg Theatre Film Institute?

    The Lee Strasberg Theatre and Film Institute is a renowned acting school located in New York City. It was founded by Lee Strasberg, a pioneer in method acting, and offers training in the techniques developed by him. The institute is known for its rigorous curriculum and has trained many successful actors in both theatre and film. Students at the institute have the opportunity to study with experienced faculty and participate in various performances to hone their craft.

  • Do you have an idea for a term paper topic in theatre education?

    One potential term paper topic in theatre education could be the impact of incorporating technology in the classroom, such as virtual reality or online platforms, on student learning and engagement. Another idea could be exploring the effectiveness of different teaching methods, such as project-based learning or flipped classrooms, in theatre education. Additionally, examining the role of diversity and inclusion in theatre education, and how it can be better integrated into curriculum and teaching practices, could also be a compelling topic.

  • How can I change the front settings on the Sony Home Theatre System HT-RT3?

    To change the front settings on the Sony Home Theatre System HT-RT3, you can use the remote control that comes with the system. Press the "Sound Field" button on the remote to cycle through different sound modes for the front speakers. You can also adjust the front speaker levels by pressing the "Level" button on the remote and using the arrow keys to increase or decrease the volume. Additionally, you can access the settings menu on the system by pressing the "Setup" button on the remote to further customize the front speaker settings.

  • How can I change the front setting on the Sony Home Theatre System HT-RT3?

    To change the front setting on the Sony Home Theatre System HT-RT3, you can use the remote control to access the settings menu. Press the "Settings" button on the remote and navigate to the "Audio" or "Sound" settings. From there, you should be able to find options to adjust the front speaker settings, such as speaker levels, distance, or balance. Use the arrow keys on the remote to make the desired changes, and then press "OK" or "Enter" to save the new front speaker settings.

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  • Theatre and Performance in Contemporary Scotland
    Theatre and Performance in Contemporary Scotland

    This textbook offers a detailed and expansive account of theatre and performance in contemporary Scotland.It considers the underlying historical and cultural developments that have enabled the recent renaissance in Scottish theatre and the emergence of playwrights of international standing, such as David Greig, Zinnie Harris, David Harrower and Rona Munro as well as companies of significant international note. Some prominence is given to the National Theatre of Scotland, which was established in 2004 in the aftermath of Scottish devolution, and which has become a key organization in the creating and dissemination – nationally and internationally – of Scottish theatre and performance.The book aims to capture the diversity and eclecticism of Scotland’s contemporary performance culture by examining work across a spectrum from children’s theatre, community theatre, mainstream theatre for adult audiences and live and performance art.

    Price: 59.99 £ | Shipping*: 0.00 £
  • Elizabethan Popular Theatre : Plays in Performance
    Elizabethan Popular Theatre : Plays in Performance

    Elizabethan Popular Theatre surveys the Golden Age of English popular theatre: the 1590s, the age of Marlowe and the young Shakespeare.The book describes the staging practices, performance conditions and acting techniques of the period, focusing on five popular dramas: The Spanish Tragedy, Mucedorus, Edward II, Doctor Faustus and Titus Andronicus, as well as providing a comprehensive history of a variety of contemporary playhouse stages, performances, and players.

    Price: 53.99 £ | Shipping*: 0.00 £
  • Theatre and Performance in East Africa
    Theatre and Performance in East Africa

    Theatre and Performance in East Africa looks at indigenous performances to unearth the aesthetic principles, sensibilities and critical framework that underpin African performance and theatre.The book develops new paradigms for thinking about African performance in general through the construction of a critical framework that addresses questions concerning performance particularities and coherences, challenging previous understandings.To this end, it establishes a common critical and theoretical framework for indigenous performance using case studies from East Africa that are also reflected elsewhere in the continent. This book will be of great interest to students and scholars of theatre and performance, especially those with an interest in the close relationship between theatre and performance with culture.

    Price: 35.99 £ | Shipping*: 0.00 £
  • Theatre
    Theatre

    Julia Lambert is in her prime, the greatest actress in England.On stage she is a true professional, in full possession of her emotions.Off stage, however, she is bored with her husband, less disciplined about her behaviour.She is at first amused by the attentions of a shy but ambitious young fan, then thrilled by his persistence - and at last wildly but dangerously in love Although Maugham is most celebrated as a novelist and short-story writer, it was as a playwright that he first knew success.Theatre is both a tribute to a world from which he had retired and a persuasive testimony to his enthusiasm for drama and the stage.

    Price: 9.99 £ | Shipping*: 3.99 £
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  • Can one study medicine with a high school diploma (Abitur) and training as an OTA (Operation Theatre Assistant)?

    While having a high school diploma (Abitur) and training as an OTA (Operation Theatre Assistant) is a good foundation, it may not be sufficient to study medicine. Typically, to study medicine, one would need to complete a bachelor's degree in a related field, such as biology or chemistry, and then apply to medical school. However, having experience as an OTA could be beneficial and provide valuable insights into the medical field. It is recommended to research the specific requirements of the medical schools you are interested in to determine the necessary qualifications.

  • How do I connect the Scott Home Theatre 850 without the DVD player and listen to music from my phone?

    To connect the Scott Home Theatre 850 without the DVD player and listen to music from your phone, you can use a Bluetooth connection. First, make sure the home theatre system is in Bluetooth mode. Then, enable Bluetooth on your phone and search for the Scott Home Theatre 850 in the list of available devices. Once paired, you can play music from your phone through the home theatre system without the need for the DVD player.

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    A rehabilitation program after a tendon injury in horses is a structured plan designed to help the horse recover from the injury and regain strength and function in the affected tendon. The program typically includes a combination of controlled exercise, physical therapy, and monitoring of the horse's progress. The goal is to gradually increase the horse's activity level while minimizing the risk of re-injury. The program may also involve the use of supportive equipment such as bandages or boots to provide additional support to the injured tendon. Overall, the rehabilitation program aims to facilitate the healing process and help the horse return to full function.

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